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What is
Brazilian Jiu Jitsu?
Gracie Family Video
Brazilian Jiu-Jitsu is primarily a ground-fighting art. Most techniques
involve both fighters on the mat. There is a heavy emphasis on positional
strategy, which is about which fighter is on top, and where each person's legs
are.
Positions are stable situations, from which a large variety of techniques
are available to both fighters.
The primary positions include:
- Guard: The person applying the guard is on the bottom with his back on
the ground; his legs are wrapped around his opponent's hips (who is said to
be "in the guard").
- Side control: Chest-on-chest but without the legs being entangled.
- Mount: On top of his opponent (who "is mounted"), sitting on his chest,
with one leg on either side of his torso.
- Back mount: Behind his opponent, with his feet hooked around his
opponent's hips and upper thighs.
Specific techniques taught are designed either to improve one's position
(for example, to "pass the guard", by going from being "in the guard" to
getting around the opponent's legs, resulting in side control); or else as a
finishing submissions. Most submissions are either chokes (cutting off the
blood supply to the brain) or arm locks (hyperextending the elbow, or twisting
the shoulder).
Belt ranks start at white belt, and progress through blue, purple, brown,
and then black. It generally takes about 2-3 years of training multiple times
per week to be promoted to the next belt rank. However, there is no formal
rank test. Instead, rank is about the ability to apply jiu-jitsu techniques in
a competitive match. A student generally needs to be able to reliably defeat
most other students at a given rank in order to be promoted to the next rank.

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Given the jiu-jitsu roots, and the interest in competition, occasionally
related techniques are taught. In each case, other specific martial arts focus
on these sets of techniques more than BJJ, and they generally just receive
passing mention and rare practice in BJJ training. For example, takedowns tend
to be similar to Judo and western wrestling; leg locks (such as in Sambo) are
not encouraged but sometimes allowed. Some schools teach street self-defense
or weapon defense as well; this instruction tends to be much more like
old-style Japanese jiu-jitsu with partner practice, and rarely impacts the
day-to-day grappling training. Also, many dedicated BJJ students are also
interested in MMA competition, and attempt to practice their techniques
without a gi, and sometimes with adding striking from boxing or Muay Thai.
Brazilian Jiu Jitsu Training
Most training has students wearing a heavy ("jiu-jitsu" or "Judo")
gi/kimono, on a floor with padded mats. A typical class involves 30 minutes of
warm ups and conditioning, 30 minutes of technique practice with a willing
partner, and 30 minutes of free sparring training, against an opponent of
equal skill who attempts to submit you.
Most of the training is done with all students on the mat. For example,
training usually beings with both students facing each other from a kneeling
position.
Competition is also encouraged. For a jiu-jitsu tournament, competitors are
divided by age, belt rank, and weight class. Time limits are generally five to
ten minutes, depending on belt rank. Matches start with both competitiors
standing, on a floor with a padded mat. A tap out from submission ends the
match. If time runs out without a submission, points determine the winner:
- 2 points: Takedown from standing; Knee-on-stomach position; or Scissor,
sweep, or flip, using legs (from bottom position to top)
- 3 points: Passing the guard
- 4 points: Mount; or Mount on back (with leg hooks in)
Many BJJ students are also interested in open submission grappling
tournaments (different points rules, usually no gi), or Mixed Martial Arts
(MMA). Most BJJ instructors encourage such competition, and often assist in
the training. However, typically BJJ classes wear a gi, start from the knees,
and prohibit strikes.
Sub-Styles
None.
However, note that Brazilian Jiu-Jitsu is sometimes taught under slightly
different names. In Brazil it is generally known simply as "jiu-jitsu".
Members of the Gracie family often call it "Gracie Jiu-Jitsu", and in fact
this name probably pre-dates the now more-generic BJJ for labelling the art
when outside of Brazil. (This probably would have become the generic name for
the art, but Rorion Gracie trademarked the phrase for his academy in Torrance,
CA. A later lawsuit between Rorion Gracie and Carley Gracie was resolved to
permit Gracie family members to use that phrase when teaching their family's
art of ju-jitsu. However, the generic term "Brazilian Ju-Jitsu" is now
preferred for referring to the art independent of instructor.)
Also, the Machado brothers (cousins of the Gracies) sometimes call their
style "Machado Jiu-Jitsu". Any of these names refer to basically the same art.
The History of
Brazilian Jiu Jitsu
In the mid-1800's in Japan, there were a large number of styles ("ryu") of
ju-jitsu (sometimes spelled "ju-jitsu"). Techniques varied between ryu, but
generally included all manner of unarmed combat (strikes, throws, locks,
chokes, wrestling, etc.) and occasionally some weapons training. One young but
skilled master of a number of jiu-jitsu styles, Jigoro Kano, founded his own
ryu and created the martial art Judo (aka Kano-ryu ju-jitsu) in the 1880's.
One of Kano's primary insights was to include full-power practice against
resisting, competent opponents, rather than solely rely on the partner
practice that was much more common at the time.
One of Kano's students was Mitsuo Maeda, who was also known as Count Koma
("Count of Combat"). Maeda emigrated to Brazil in 1914. He was helped a great
deal by the Brazilian politician Gastão Gracie, whose father George Gracie had
emigrated to Brazil himself from Scotland. In gratitude for the assistance,
Maeda taught ju-jitsu to Gastao's son Carlos Gracie. Carlos in turn taught
his brothers Osvaldo, Gastão Jr., Jorge, and Helio.
In 1925, Carlos and his brothers opened their first jiu-jitsu academy, and
Gracie Jiu-Jitsu was born in Brazil.
At this point, the base of techniques in BJJ was similar to those in Kano's
Judo academy in Japan. As the years progressed, however, the brothers (notably
Carlos and Helio) and their students refined their art via brutal no-rules
fights, both in public challenges and on the street. Particularly notable was
their willingness to fight outside of weight categories, permitting a skilled
small fighter to attempt to defeat a much larger opponent.
They began to concentrate more and more on submission ground fighting,
especially utilizing the guard position. This allowed a weaker man to defend
against a stronger one, bide his time, and eventually emerge victorious.
In the 1970's, the undisputed jiu-jitsu champion in Brazil was Rolls
Gracie. He had taken the techniques of jiu-jitsu to a new level. Although he
was not a large man, his ability to apply leverage using all of his limbs was
unprecedented. At this time the techniques of the open guard and its variants
(spider guard, butterfly guard) became a part of BJJ. Rolls also developed the
first point system for jiu-jitsu only competition. The competitions required
wearing a gi, awarded points (but not total victories) for throws and
takedowns, and awarded other points for achieving different ground positions
(such as passing an opponent's guard). After Rolls' death in a hang-gliding
accident, Rickson Gracie became the undisputed (and undefeated!) champion, a
legend throughout Brazil and much of the world. He has been the exemplar of
Brazilian Jiu-Jitsu technique for the last two decades, since the early
1980's, in both Jiu-jitsu competition and no-rules MMA competition.
Ju-jitsu techniques have continued to evolve as the art is constantly
tested in both arenas. For example, in the 1990's Roberto "Gordo" Correa, a
BJJ black belt, injured one of his knees, and to protect his leg he spent a
lot of practice time in the half-guard position. When he returned to
high-level jiu-jitsu competition, he had the best half-guard technique in the
world. A position that had been thought of as a temporary stopping point, or
perhaps a defensive-only position, suddenly acquired a new complexity that
rapidly spread throughout the art.
In the early 1990's, Rorion Gracie moved from Brazil to Los Angeles. He
wished to show the world how well the Gracie art of jiu-jitsu worked. In
Brazil, no-rules Mixed Martial Art (MMA) contests (known as "Vale Tudo") had
been popular since Carlos Gracie first opened his academy in 1925, but in the
world at large most martial arts competition was internal to a single style,
using the specialized rules of that style's practice.
Rorion and Art Davie conceived of the "Ultimate Fighting Championship" or UFC. This
was a series of pay-per-view television events in the United States that began
in 1993. They pitted experts of different martial arts styles against each
other in an environment with very few rules, in an attempt to see what
techniques "really worked" when put under pressure. Rorion also entered his
brother Royce Gracie, an expert in Brazilian Jiu-Jitsu, as one of the
contestants.
Royce dominated the first years of the UFC against all comers, amassing
eleven victories with no fighting losses. At one event he defeated four
different fighters in one night. This, from a fighter that was smaller than
most of the others (at 170 lbs, in an event with no weight classes), looked
thin and scrawny, and used techniques that most observers, even experienced
martial artists, didn't understand.
In hindsight, much of Royce's success was due to the fact that he
understood very well (and had trained to defend against) the techniques that
his opponents would use, whereas they often had no idea what he was doing to
them. In addition, the ground fighting strategy and techniques of BJJ are
among the most sophisticated in the world. Besides the immediate impact of an
explosion of interest in BJJ across the world (particularly in the US and
Japan), the lasting impact of Royce's early UFC dominance is that almost every
successful MMA fighter now includes BJJ as a significant portion of their
training.
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